Neil Armstrong and the America that could have been

According to a Gallup Poll from 1999, only 50 percent of those surveyed could even name Neil Armstrong as the first man to land on the moon.

How might the moon walker fare 19 years later?

The film “First Man,” starring Ryan Gosling as Neil Armstrong, may boost public recognition of Armstrong’s name and career. But his fate after his “giant leap for all mankind” mirrored that of public interest in the moon landings and, broader still, trust in government, which has steadily eroded since the early 1970s.

It may be hard to imagine today, but from the early 1960s until Apollo 11, Congress essentially gave the space agency blank checks to fulfill the Kennedy administration’s goal of a man on the moon by 1970. In the mid-1960s, NASA received over 4 percent of the federal budget. Today, it’s funded with less than 0.5 percent of the budget.

While the research ostensibly went to figuring out how to safely transport men to and from the moon, many technologies spun off from this program: high-temperature coatings, new fabrics and microelectronics, all of which we use in our day-to-day lives.

Furthermore, for a few ephemeral years, a factious nation thought of itself as a space-faring people. With a populace hurting from the Tet Offensive, the assassinations of Martin Luther King Jr. and Bobby Kennedy, and the riots of 1968, the moon landing managed to make us stop arguing – albeit briefly – and look up at the sky.

Thousands gather in New York’s Central Park to watch astronaut Neil Armstrong take man’s first step on the moon on giant television screens. AP Photo
Yet less than a year later, no television network bothered to carry the Apollo 13 astronauts’ live broadcast on their way to the moon. That sudden public disinterest after the first landing – and the erosion of any sense of national purpose – still puzzles students in my first-year seminar “The Space Race.”

America quickly turned its back on Apollo and began its long, painful slide into Watergate and Vietnam. By the end of the 20th century, conspiracy theories about the moon landing abounded – that the astronauts had never left Earth’s orbit; that Stanley Kubrick had played a role in faking the Apollo landings on a sound stage.

Soon enough, Apollo’s triumph became little more than a slogan for our growing cynicism about government: “If they can put a man on the moon, why can’t they fill the potholes?”

As for Armstrong, he went on to teach aerospace engineering at the University of Cincinnati. Though he did some advertising campaigns for Chrysler and a few other firms, he mostly kept a low profile.

Those once mesmerized by NASA’s stillborn plans for lunar bases and manned flybys of Venus wanted more – so much more – out of Armstrong.

When he was chosen for Apollo 11, Armstrong was already one of the most talented test pilots in history. As Andrew Chaikin notes in his book “A Man on the Moon,” Armstrong “got his pilot’s license before he learned to drive,” then in the 1950s and ‘60s actually flew the X-15 rocket planes, supersonic fighter aircraft and Gemini capsules that my NASA-obsessed peers glued together in 1:48 scale, following Sputnik in 1957.